HACU 222: Digital Resistance: Media Studies and Production

With Kara Lynch This seminar on media analysis and production will consider how constructions of power are embodied in technologies and conversely, how technologies shape our notions of authority and how we actively mobilize against it. In recent years, access to information and images has shifted dramatically. Handheld technologies, social media networks, live web-streaming, video […]

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NS 310: Sustainability in a Changing Climate

With Chris Cianfrani This course will use a natural science lens to explore the UN Sustainable Development Goals with a specific focus on water, energy, and food production. We will develop an understanding of the role science and technology can play in carrying out the social and economic development agenda. We will explore the implementation […]

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IA 208: Acting And Presence

With Will MacAdams What is presence on stage? And how does an actor manifest it? In this course, you’ll explore acting through a hands-on, ensemble-based approach that is grounded in listening. The course begins with an exploration of the many stories that you carry, hear, and express through movement. We’ll then move to language, developing […]

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HACU 251: Alien/Freak/Monster: Race, Sex, and Disability in Science Fiction, Horror, and Fantasy

With Professor Loza This course examines questions of race, gender/sexuality, and disability in science fiction and horror films. It investigates how and why people in different social positions have been constructed as foreign, freakish, or monstrous. In addition to exploring the relationship between sex/gender norms and hierarchies based on race/species or class/caste, we will also […]

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HACU 230: Critical Moves: Performance, Politics, and Activist Bodies

With Lailye Weidman Athletes taking a knee, bodies marching in the street, dance movements that go viral. How can Dance Studies help us see and understand the urgency of [social] movement in our current moment? At the same time, how does dance challenge normative conceptualizations of history and politics? Exploring dance and embodied politics of […]

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CSI 238: Population and Development

With Anne Hendrixson This course is a critical introduction to international development history and theory, through the lens of population, or “overpopulation.” “Overpopulation” has been seen as a fundamental impediment to nations’ economic and social development and a global environmental and security crisis requiring an emergency response on an international scale. We will upend this […]

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CS 261: Philosophy of Education

With Ernie Alleva This course explores central questions in the philosophy of education: What is education, and what is it for? What is the meaning and value of education to individuals and society? What should the aims of education be? Are there things that everyone should know or be able to do? Should education promote […]

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CSI 280: East/West and Decolonial Theory

With George Fourlas This is a course in decolonial and political theory that will explore the historical legacy of colonialism and the ongoing conflict between the so-called east/west. Through a range of texts, we will analyze and critique the major theoretical and cultural origins of various contemporary social-political phenomena that are connected to the east/west […]

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CSI 132: Let’s Get Free! Ethics and Politics of Liberation

With George Fourlas In this class, we will explore the fields of ethics and politics from the starting point of a primordial tension: the experience of being both an individual and a member of a collective social-political environment. This starting point places our exploration in stark contrast to classical approaches to normative thought, which focus […]

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HACU 209: Video I: LIVE!

With Kara Lynch Video I is an introductory video production course. Over the course of the semester students will gain experience in pre-production, production and post-production techniques as well as learn to think and look critically about the making of the moving image. We will engage with video as a specific visual medium for expression […]

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