Collective Bibliography

Footnotes can be found throughout the essay text in yellow.

Adusei-Poku, Nana. “The Multiplicity of Multiplicities – Post-Black Art and Its Intricacies,” in “Post-Racial Imaginaries,” special issue, Darkmatter Journal 9, no.2 (2012). http://www.darkmatter101.org/site/2012/11/29/the-multiplicity-of-multiplicities-%E2%80%93-post-black-art-and-its-intricacies/

“Ai Weiwei, Study of Perspective – Mona Lisa.” MoMA.org. http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A34722&page_number=5&template_id=1&sort_order=1 (accessed June 26, 2014).

Berger, Maurice. “Interview with Adrian Piper.” Art, Activism, and Oppositionality: Essays from Afterimage, edited by Grant H. Kester, 215-231. Durham: Duke University Press, 1998.

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du Réel, 2002.

Briggs, Michael . “Harry Styles Snags $4 Million Jean-Michel Basquiat Painting, Following Jay Z’s Advice.” Design&Trend . http://www.designntrend.com/articles/11158/20140225/harry-styles-jean-michel-basquiat-painting-jay-z.htm (accessed June 26, 2014).

Castells, Manuel. The Network Society: A Cross-Cultural Perspective. Cheltenham: Elgar, 2004.

Corrin, Lisa G. “Mining the Museum: Artists Look at Museums, Museums Look at Themselves.” Mining the Museum: An Installation, edited by Fred Wilson and Lisa G. Corrin, 1-22. Baltimore: Contemporary, 1994.

English, Darby. How to See a Work of Art in Total Darkness. Cambridge, MA: MIT Press, 2007.

Fusco, Coco. “The Unbearable Weightiness of Beings: Art in Mexico after NAFTA.” In The Bodies That Were Not Ours: and Other Writings, 61-77. New York: Routledge; London: Iniva, 2001.

Goldstein, Andrew M. “Rashid Johnson on Making Art ‘About the Bigger Issues in Life’,” Artspace, December 31, 2013, http://www.artspace.com/magazine/interviews_features/rashid_johnson_interview.

Greaney, Patrick. Quotational Practices: Repeating the Future in Contemporary Art. Minneapolis: University of Minnesota Press, 2014.

Hochrieser, Sabine, Michael Kargl, and Franz Thalmair. “Appropriation Practice: Digital Quotations – Art After The Artist.” CONT3XT.NET. Accessed 23 June 2014. http://cont3xt.net/blog/?p=264.

“Jay Z – Picasso Baby.” Rap Genius. http://rapgenius.com/Jay-z-picasso-baby-lyrics (accessed June 26, 2014).

Jennison, Charles. “The Border Prism.” Semiotext(e) Canadas, edited by Jordan Zinovich, 12–23. New York: Semiotext(e), 1994.

Madigan, Nick. “Ai Weiwei Vase Is Destroyed by Protester at Miami Museum.” The New York Times. http://www.nytimes.com/2014/02/18/arts/design/ai-weiwei-vase-destroyed-by-protester-at-miami-museum.html (accessed June 26, 2014).

“Marina Abramovic: The Artist is Present.” MoMA. http://www.moma.org/visit/calendar/exhibitions/965 (accessed June 27, 2014).

Miller, Michael. “Miami Artist Destroyed $1M Ai Weiwei Vase Because PAMM ‘Only Displays International Artists’.” Miami New Times Blog. http://blogs.miaminewtimes.com/riptide/2014/02/miami_artist_maximo_caminero_s.php (accessed June 27, 2014).

Mohamed, Yumna. “Kara Walker’s Works from Harper’s Pictorial History of the Civil War,” The Stream (blog), Harper’s Magazine, July 6, 2012, http://harpers.org/blog/2012/07/kara-walkers-works-from-harpers-pictorial-history-of-the-civil-war/.

Murray, David. “Black Arts: Conjure and Spirit.” In Matter, Magic, and Spirit: Representing Indian and African American Belief. Philadelphia, PA: University of Pennsylvania Press, 2007. 102-127.   “Pablo Picasso. Les Demoiselles d’Avignon (Paris, June-July 1907).” MoMA.org. http://www.moma.org/collection/object.php?object_id=79766 (accessed June 25, 2014).

“‘Primitivism’ in 20th Century Art.” MoMA Press Archives. http://www.moma.org/momaorg/shared/pdfs/docs/press_archives/6081/releases/MOMA_1984_0017_17.pdf?2010 (accessed June 27, 2014).   Romanek, Michael. “JAY Z “Picasso Baby: A Performance Art Film”.” YouTube. https://www.youtube.com/watch?v=xMG2oNqBy-Y&feature=kp (accessed June 26, 2014).

Nikas, Bob. “Adam Helms: Untitled Portrait.” World Class Boxing. Accessed June 22, 2014. http://www.worldclassboxing.org/exhibit_ahelms.php.

Raymond, Yasmil. “Maladies of Power: A Kara Walker Lexicon.” Kara Walker: My Complement, My Enemy, My Oppressor, My Love, edited by Kara Walker, Philippe Vergne, and Sander L. Gilman, 350-61. Minneapolis: Walker Art Center, 2007.

Saltz, Jerry. “‘Picasso Baby’ Live: Jerry Saltz Goes Face-to-Face With Jay-Z.” Vulture. http://www.vulture.com/2013/07/jerry-saltz-face-to-face-with-jay-z.html (accessed June 26, 2014).   Stein, Judith. “Sins of Omission [Fred Wilson’s Mining the Museum].” Art in America ?, no. October (1993): 110-115. http://judithestein.com/sins-omission-fred-wilson’s-mining-museum (accessed June 27, 2014).

Steyerl, Hito, and Franco Berardi. The Wretched of the Screen. E-flux Journal. Berlin: Sternberg Press, 2012.

“The artist.” Jean-Michel Basquiat. http://www.basquiat.com/artist.htm (accessed June 24, 2014).

Trebay, Guy. “Jay-Z Is Rhyming Picasso and Rothko.” The New York Times. http://www.nytimes.com/2013/07/14/fashion/jay-z-is-rhyming-picasso-and-rothko.html?pagewanted=all (accessed June 26, 2014).

Vestberg, Nina Lager. “Ordering, Searching, Finding.” Journal Of Visual Culture 12, no. 3 (2013): 472-489. Academic Search Premier (92867293).

von Humboldt, Wilhelm. “On the Historian’s Task.” History and Theory 6, no.1 (1967): 57-71.