Catalogues:
1998 Hommage à Constantin Meunier. Brussels: Galerie Maurice Tzwern, January 17-May 31, 1998 Antwerp: Pandora Petraco
2008 With Francisca Vandepitte, et. al., Constantin Meunier à Séville: L’Ouverture Andalouse. Brussels: Musées Royaux des Beaux-Arts de Belgique
Book in Progress:
Unlike Any Other Night: The Attack of the 20th Convoy. The Resistance and Heroism in Belgium During the Holocaust
Articles and Reviews:
2017 (forthcoming) “Belgian Painters and the Industrial and Urban Landscape,” in Jeffrey Howe, ed., Landscape in Belgium: Realism to Symbolism, Boston: McMullen Museum, September-December 2017 2014 “The Art of the Syllabus: Robert Seydel’s Encyclopedic Knowledge in About Fifteen Pages as A Portrait of the Artist Himself” in Gail Robin Seydel and Jeane Cohen, eds., Robert Seydel: The Syllabus Project, Amherst, MA: The Levellers Press, 2014
2014 “A Hymn to Labor, A Hymn to Nation: Constantin Meunier’s Representations of Work and the Monument au Travail,” for Constantin Meunier. 1831-1905. Brussels, Musées Royaux des Beaux-Arts de Belgique, and Antwerp: Lannoo, published in French and Flemish. September 2014-January 2015
2011 Catalogue entry, “Henri de Toulouse Lautrec” in Elizabeth Barker, ed., The Mead Art Museum Handbook (Amherst, MA: Mead Art Museum)
2010 Review of the MOMA exhibition and catalogue of James Ensor, in Nineteenth-Century Art Worldwide 9/1 (winter 2010), http://19thc-artworldwide.org
2008 “From Noble Beggars and the Corrida to the Café ‘El Burrero’”, in Levine, et. al., Constantin Meunier à Séville: L’Ouverture Andalouse. Brussels: Musées Royaux des Beaux-Arts de Belgique, 2008, published in French, Flemish
2007 “Pauvre Belgique: Collecting Practices and Belgian Art in and Outside of Belgium” in Jeffrey Howe, ed., A New Key. Modern Belgian Art from the Simon Collection. Boston: The McMullen Museum of Art, 2007
2005 “Constantin Meunier’s Monument to Labor at the 1909 Meunier Exhibition in Leuven.” In Hilde van Gelder et. al., Meunier in Dialoog. Een Actueel Kunstparcours door Leuven. Leuven, Belgium: Katholijke Universiteit Leuven, 2005. English edition: Meunier, a dialogue. Contemporary art meets Constantin Meunier in Leuven, Leuven, Belgium: Katholieke Universiteit Leuven, 2005
2005 Review of exhibition and catalogue Fernand Khnopff (1858-1921), retrospective exhibition at the Musées Royaux des Beaux-Arts de Belgique; Museum der Moderne, Salzburg; and the McMullen Museum of Art, Boston College. In Nineteenth-Century Art Worldwide 3/1 (February 2005), http://19thc-artworldwide.org
2003 Entries on Constantin Meunier and George Minne, in Antonia Boström, ed., Encyclopedia of Sculpture. New York: Fitzroy Dearborn
2002 Review of exhibition and catalogue Between Street and Mirror: The Drawings of James Ensor, Catherine de Zegher, ed., New York: The Drawing Center and Minneapolis: University of Minnesota Press, 2001. In: Nineteenth-Century Art Worldwide 1/1 (February 2002), http://19thc-artworldwide.org
2000 “L’Art et l’engagement social,” in Robert Hoozee, ed., Bruxelles Carrefour de cultures, Brussels: Palais des Beaux-Arts, Antwerp: Mercatorfonds
1999 Review of Jeremy Howard, Art Nouveau. International and National Styles in Europe and Françoise Aubry and Jos Vandenbreeden, eds., Horta. Art Nouveau to Modernism, in Journal of the Society of Architectural Historians (June 1999)
1998 “A Life of Labor,” in Hommage à Constantin Meunier, Brussels: Galerie Maurice Tzwern and Antwerp: Pandora Petraco
1998 “Constantin Meunier and the Antwerp Dockworkers,” Stanford University Museum of Art Bulletin, vols. XXVI-XXVII (September 1998)
1998 Review of Meyer Schapiro, Impressionism: Reflections and Perceptions, Jane Mayo Roos, Early Impressionism and the French State (1866-1874) and Richard Kendall, Degas: Beyond Impressionism, In Art Bulletin, LXXX/3 (September 1998)
1996 “Constantin Meunier’s Monument au travail,” in Stephan Grohé, ed., Denkmal Abbe. Minerva 4 (November 1996)
1995 “Politiques et arts graphiques. L’Avant garde belge,” in Jean-Jacques Heirwegh, ed., Maximilien Luce 1858-194, peintre anarchiste. Brussels: Editions de l’Institut de Sociologie de l’Université libre de Bruxelles
1993 “Politics and the Graphic Arts of the Belgian Avant-Garde,” and catalogue entries on Frantz Charlet, Georges Lemmen, François Maréchal, Gustave Marissiaux, Constantin Meunier, Armand Rassenfosse, Félicien Rops, Paul Signac, Jules van Biesbroeck, and Alfred van Neste, in Stephen H. Goddard, ed., Les XX and the Belgian Avant-Garde. Prints, Drawings and Books, ca. 1890 . Lawrence, KS: The Spencer Museum of Art
1992 “Politiek en de prentkunst van de Belgische avant-garde,” and catalogue entries on Charlet, Lemmen, Maréchal, Marissiaux, Meunier, Rassenfosse, Rops, Signac, van Biesbroeck, and van Nest, in Robert Hoozee, ed., Les Vingt en de avant-garde in België. Prenten, tekeningen en boeken, Ghent: Museum voon Schone Kunsten (Antwerp: Pandora Petraco). Adapted translation
1990 “Felix Nussbaum,” in Susan Taylor and Richard Born, ed., The David and Alfred Smart Museum of Art. The University of Chicago. A Guide to the Collection. New York: Hudson Hills
1989 With Andrew C. Parker. Review of Michael Shapiro, The Politics of Representation: Writing Practices in Biography, Photography, and Policy Analysis, in Political Theory 17/4 (November 1989)
1989 “Print Culture in the Age of the French Revolution,” and catalogue entries, in Sura Levine and Joan Landes, Representing Revolution: French and British Prints, 1789-1804. Amherst, MA: Mead Art Museum
1989 Review of Jean Delhaye, Victor Horta, L’Hôtel Tassel and Cécile Dulière, ed., Victor Horta Mémoires, in Journal of the Society of Architectural Historians XLVIII/3 (September 1989)
1987 “Art Nouveau Sculpture in Belgium,” in Chantal Kosyreff, ed., Les Feux de l’art nouveau, Tokyo: Shinbum
1987 Catalogue entries on Eugène Verboeckhoven and Georges Rochegrosse, in Holliday T. Day and Hollister Sturges, eds., The Joslyn Art Museum, Paintings and Sculpture from the European and American Collections. Omaha: The Joslyn Art Museum
1981 Catalogue entries on Romaine Brooks, Privat Livemont, Richard Roland Holst, in Reinhold Heller, ed., The Earthly Chimera and the Femme Fatale. The Fear of Woman in Nineteenth-Century Art. Chicago: The David and Alfred Smart Museum of Art