![\"UnCubed,](\"http:\/\/sites.hampshire.edu\/theharold\/files\/2016\/03\/Uncubed2.jpg\")
<\/a>Phillips\u2019 ability to see the infinite plastic potential in geometric form came from a lifetime of design engineering and landscape architecture, though it was only in retirement that he turned to sculpture. His first major recognition came at the age of 72, when UnCubed<\/em> was selected as part of the 1988 annual Contemporary Sculpture show at Chesterwood, the Berkshires home and grounds of Daniel Chester French (famed sculptor of the Lincoln memorial). After the exhibition, Phillips sought a new home for the monumental work: a place where art, ingenuity and environment intermingled to create a fitting context for an unconventional cube. Hampshire College was a natural choice.<\/p>\n Plenty of students have mused as to the meaning and origin of the sculpture since it first arrived on campus. One of the most enduring interpretations is that it is an arcane musical instrument devised by a Div III student of yore, the mechanics of which have been lost to time.\u00a0 Fittingly, for Phillips, the notion that UnCubed<\/em> might intrigue, inspire, or fleetingly tempt the mind of a future viewer down an unexpected path, was all the \u201csuccess\u201d he was after: \u201cIf I piqued your curiosity, then I\u2019ve been successful,\u201d he noted in a newspaper report, \u201c\u2026 I think my ego would be satisfied if some kid 20 years from now said \u2018Yeah, I remember that damn thing up there\u2019. That would be success\u2026\u201d<\/p>\n<\/a><\/a>