{"id":43,"date":"2013-10-24T18:08:36","date_gmt":"2013-10-24T18:08:36","guid":{"rendered":"http:\/\/sites.hampshire.edu\/slevine\/?page_id=43"},"modified":"2016-09-20T13:36:58","modified_gmt":"2016-09-20T13:36:58","slug":"selected-lectures-and-conferences","status":"publish","type":"page","link":"https:\/\/sites.hampshire.edu\/slevine\/selected-lectures-and-conferences\/","title":{"rendered":"Selected Lectures and Conference Papers"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2016<\/td>\nKey Note Speaker.\u00a0<\/strong>\u201cBuilding a Collection of Modern Sculpture in Copenhagen: Carl Jacobsen\u2019s Patronage of Constantin Meunier,\u201d symposium \u201cSculpting Abroad. The International Mobility of Nineteenth-Century Sculptors and Their Work,\u201d University of Ghent, and Museum voor Schone Kunsten, Ghent, Belgium<\/td>\n<\/tr>\n
2015<\/td>\nConference paper.\u00a0<\/strong>With Bonnie Vigeland, Rachel Beckwith and Mike Meo, “Re-Designing for the 21st Century: A Reading Room?!” Association of College and Research Libraries, New England Chapter, Worcester, MA<\/p>\n

Invited Speaker,\u00a0<\/strong>“Another Kind of Document: Felix Nussbaum’s Art During the Holocaust,” European Holocaust Research Initiative workshop at Yad Vashem, Jerusalem, Israel<\/td>\n<\/tr>\n

2014<\/td>\nConference paper,<\/strong>\u00a0\u201cUnlike Any Other Night: The Attack on the 20th<\/sup>\u00a0Convoy\u201d Lessons and Legacy Conference, Boca Raton, FL<\/td>\n<\/tr>\n
2012<\/td>\nInvited Speaker<\/strong>, \u201cAnother Kind of Document: Jewish Artists and the Holocaust,\u201d Boston University, Department of the History of Art and Architecture, Boston, MA<\/td>\n<\/tr>\n
2011<\/td>\nGuest Lecturer<\/strong>, \u201cPolitics and French Impressionism,\u201d The Museum of Fine Arts, Springfield, MA<\/td>\n<\/tr>\n
2008<\/td>\nInvited Speaker<\/strong>, \u00a0\u201cBetween the Street and the Cathedral: Constantin Meunier\u2019s period in Sevilla 1882-83\u201d (given in French) Mus\u00e9es Royaux des Beaux-Arts de Belgique, Brussels.<\/td>\n<\/tr>\n
2007<\/td>\nConference paper<\/strong>, \u201cRealism from the Margins. Redefining Realist Art from a Belgian Perspective.\u201d\u00a0 College Art Association.<\/td>\n<\/tr>\n
2006 – 2010<\/td>\nInvited Lecturer<\/strong>, \u00a0\u201cTurn-of-the-century Art in Belgium.\u201d Christie\u2019s Masters Program in Connoisseurship.<\/td>\n<\/tr>\n
2006<\/td>\nInvited Speaker<\/strong>, \u00a0\u201cThe Spectacle of Paris and the Impressionists,\u201d Museum of Fine Arts, Springfield<\/td>\n<\/tr>\n
2005<\/td>\nInvited Speaker<\/strong>, \u201cUnlike Any Other Night: The 20th Convoy,\u201d interdisciplinary symposium on the resistance during World War II, Cooper Union, New York<\/p>\n

Invited Speaker<\/strong>, \u201cConstantin Meunier and Guillaume Charlier: Two Belgian Sculptors and France,\u201d symposium on nineteenth-century sculpture, Zimmerli Art Museum, Rutgers University<\/td>\n<\/tr>\n

2004<\/td>\nScholars Roundtable<\/strong>, Fernand Khnopff, The McMullen Museum of Art, Boston College<\/td>\n<\/tr>\n
2003<\/td>\nConference paper<\/strong>, \u201cCapital and Constantin Meunier\u2019s Representation of the Working Class\u201d College Art Association<\/td>\n<\/tr>\n
2002<\/td>\nInvited Speaker<\/strong>, \u201cThe 20th Convoy: Resistance and Rescue in Belgium\u201d Five-College Judaic Studies Faculty<\/td>\n<\/tr>\n
2000<\/td>\nInvited Speaker<\/strong>, \u201cMining Class and Gender in Belgian Art\u201d Department of Comparative Literature, University of Massachusetts
\nInvited Speaker<\/strong>, \u201cMonet\u2019s Garden at Giverny: Landscape and Architecture\u201d Museum of Fine Arts, Springfield, MA<\/td>\n<\/tr>\n
2000<\/td>\nCo-chair of session<\/strong>, \u00a0\u201cOut of the Academy and into the Arcades\u201d CAA<\/td>\n<\/tr>\n
1996<\/td>\nModerator<\/strong>, Panel on the monarchy and sexuality.\u00a0 \u201cPrerogatives of Power: The Representation of Royalty in the Early Modern Period\u201d, Amherst College
\nConference Paper, invited<\/strong>, \u201cNobility and the Working Class: Designing a Monument to Labor in Brussels\u201d National American Labor History Conference, Wayne State University<\/td>\n<\/tr>\n
1998<\/td>\nInvited Speaker<\/strong>, \u201cConstantin Meunier: A Life of Labor\u201d Hampshire College, President\u2019s Speaker Fund<\/td>\n<\/tr>\n
1996<\/td>\nInvited Speaker<\/strong>, \u201cDegas\u2019 Rehearsal Before the Performance: Labor and Leisure in French Painting\u201d Museum of Fine Arts, Springfield, MA
\nCo-chair of Session<\/strong>, \u201c\u2019The Golden Age is not in the Past, it is in the Future\u2019: Decadence, Renewal and Social Activism\u201d CAA<\/td>\n<\/tr>\n
1996<\/td>\nInvited Speaker, Symposium<\/strong>, \u201cThe Politics of Modernity, the Representation of Politics\u201d University of Massachusetts<\/td>\n<\/tr>\n
1995<\/td>\nInvited Speaker<\/strong>, \u201cFrench Impressionists: The Painters of Modern Life\u201d Museum of Fine Arts, Springfield, MA<\/td>\n<\/tr>\n
1992<\/td>\nInvited Speaker<\/strong>, \u00a0\u201cThe Political Culture of the Belgian Avant-Garde\u201d Museum voor Schone Kunsten, Ghent, Belgium<\/td>\n<\/tr>\n
1990<\/td>\nConference Paper<\/strong>, \u201cContested Spaces: Constantin Meunier\u2019s Monument to Labor\u201d Nineteenth-Century French Studies Conference<\/td>\n<\/tr>\n
1990<\/td>\nConference Paper<\/strong>, \u201cMonumental Transformations: Constantin Meunier\u2019s Monument to Labor\u201d CAA<\/td>\n<\/tr>\n
1987<\/td>\nConference Paper<\/strong>, \u201cFlanders and the Esthetics of Looting during the Terror\u201d American Society for Eighteenth-Century Studies<\/td>\n<\/tr>\n
1988<\/td>\nInvited Speaker, Symposium<\/strong>, “Belgian Neo-Impressionism”\u00a0 The David and Alfred Smith Museum of Art, Chicago<\/td>\n<\/tr>\n
1987<\/td>\nConference Paper<\/strong>, \u201cA Palace for the People: Victor Horta\u2019s Maison du peuple\u201d Society of Architectural Historians Annual Conference<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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2016 Key Note Speaker.\u00a0\u201cBuilding a Collection of Modern Sculpture in Copenhagen: Carl Jacobsen\u2019s Patronage of Constantin Meunier,\u201d symposium \u201cSculpting Abroad. The International Mobility of Nineteenth-Century Sculptors and Their Work,\u201d University of Ghent, and Museum voor Schone Kunsten, Ghent, Belgium 2015 Conference paper.\u00a0With Bonnie Vigeland, Rachel Beckwith and Mike Meo, “Re-Designing for the 21st Century: A […]<\/p>\n","protected":false},"author":642,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/43"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/users\/642"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":16,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/43\/revisions\/111"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}