1998<\/strong> Hommage \u00e0 Constantin Meunier<\/em>. Brussels: Galerie Maurice Tzwern, January 17-May 31,\u00a01998 Antwerp: Pandora Petraco<\/p>\n 2008<\/strong> With Francisca Vandepitte, et. al., Constantin Meunier \u00e0 S\u00e9ville: L\u2019Ouverture Andalouse<\/em>. Brussels: Mus\u00e9es Royaux des Beaux-Arts de Belgique<\/p>\n Unlike Any Other Night: The Attack of the 20th Convoy. The Resistance and Heroism in Belgium During the Holocaust<\/p>\n 2017<\/strong> (forthcoming) \u201cBelgian Painters and the Industrial and Urban Landscape,\u201d in Jeffrey Howe, ed., Landscape in Belgium: Realism to Symbolism<\/em>, Boston: McMullen Museum, September-December 2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2014\u00a0<\/strong>\u201cThe Art of the Syllabus: Robert Seydel\u2019s Encyclopedic Knowledge in About Fifteen Pages as A Portrait of the Artist Himself\u201d in Gail Robin Seydel and Jeane Cohen, eds., <\/span>Robert Seydel: The Syllabus Project<\/em>, Amherst, MA: The Levellers Press, 2014<\/span><\/p>\n 2014<\/strong> \u201cA Hymn to Labor, A Hymn to Nation: Constantin Meunier\u2019s Representations of Work and the Monument au Travail<\/em>,\u201d for Constantin Meunier. 1831-1905<\/em>.\u00a0 Brussels, Mus\u00e9es Royaux des Beaux-Arts de Belgique, and Antwerp: Lannoo, published in French and Flemish.\u00a0 September 2014-January 2015<\/p>\n 2011<\/strong> Catalogue entry, \u201cHenri de Toulouse Lautrec\u201d in Elizabeth Barker, ed., The Mead Art Museum Handbook<\/em> (Amherst, MA: Mead Art Museum)<\/p>\n 2010<\/strong> Review of the MOMA exhibition and catalogue of James Ensor<\/em>, in Nineteenth-Century Art Worldwide 9\/1<\/em> (winter 2010), http:\/\/19thc-artworldwide.org<\/p>\n 2008<\/strong>\u00a0\u201cFrom Noble Beggars and the Corrida to the Caf\u00e9 \u2018El Burrero\u2019\u201d, in Levine, et. al., Constantin Meunier \u00e0 S\u00e9ville: L\u2019Ouverture Andalouse<\/em>. Brussels: Mus\u00e9es Royaux des Beaux-Arts de Belgique, 2008, published in French, Flemish<\/p>\n 2007<\/strong>\u00a0\u201cPauvre Belgique<\/em>: Collecting Practices and Belgian Art in and Outside of Belgium\u201d in Jeffrey Howe, ed., A New Key. Modern Belgian Art from the Simon Collection<\/em>. Boston: The McMullen Museum of Art, 2007<\/p>\n 2005<\/strong>\u00a0\u201cConstantin Meunier\u2019s Monument to Labor at the 1909 Meunier Exhibition in Leuven<\/em>.\u201d In Hilde van Gelder et. al., Meunier in Dialoog. Een Actueel Kunstparcours door Leuven<\/em>. Leuven, Belgium: Katholijke Universiteit Leuven, 2005. English edition: Meunier, a dialogue. Contemporary art meets Constantin Meunier in Leuven<\/em>, Leuven, Belgium: Katholieke Universiteit Leuven, 2005<\/p>\n 2005<\/strong> Review of exhibition and catalogue Fernand Khnopff<\/em> (1858-1921), retrospective exhibition at the Mus\u00e9es Royaux des Beaux-Arts de Belgique; Museum der Moderne, Salzburg; and the McMullen Museum of Art, Boston College. In Nineteenth-Century Art Worldwide 3\/1<\/em> (February 2005), http:\/\/19thc-artworldwide.org<\/p>\n 2003<\/strong> Entries on Constantin Meunier and George Minne, in Antonia Bostr\u00f6m, ed., Encyclopedia of Sculpture<\/em>. New York: Fitzroy Dearborn<\/p>\n 2002<\/strong> Review of exhibition and catalogue Between Street and Mirror: The Drawings of James Ensor<\/em>, Catherine de Zegher, ed., New York: The Drawing Center and Minneapolis: University of Minnesota Press, 2001. In: Nineteenth-Century Art Worldwide 1\/1<\/em> (February 2002), http:\/\/19thc-artworldwide.org<\/p>\n 2000<\/strong> \u201cL\u2019Art et l\u2019engagement social,\u201d in Robert Hoozee, ed., Bruxelles Carrefour de cultures<\/em>, Brussels: Palais des Beaux-Arts, Antwerp: Mercatorfonds<\/p>\n 1999<\/strong> Review of Jeremy Howard, Art Nouveau. International and National Styles in Europe<\/em> and Fran\u00e7oise Aubry and Jos Vandenbreeden, eds., Horta. Art Nouveau to Modernism<\/em>, in Journal of the Society of Architectural Historians<\/em> (June 1999)<\/p>\n 1998<\/strong> \u201cA Life of Labor,\u201d in Hommage \u00e0 Constantin Meunier<\/em>, Brussels: Galerie Maurice Tzwern and Antwerp: Pandora Petraco<\/p>\n 1998<\/strong> \u201cConstantin Meunier and the Antwerp Dockworkers,\u201d Stanford University Museum of Art Bulletin<\/em>, vols. XXVI-XXVII (September 1998)<\/p>\n 1998<\/strong> Review of Meyer Schapiro, Impressionism: Reflections and Perceptions<\/em>, Jane Mayo Roos, Early Impressionism and the French State<\/em> (1866-1874) and Richard Kendall, Degas: Beyond Impressionism<\/em>, In Art Bulletin<\/em>, LXXX\/3 (September 1998)<\/p>\n 1996<\/strong> \u201cConstantin Meunier\u2019s Monument au travail,\u201d in Stephan Groh\u00e9, ed., Denkmal Abbe. Minerva 4<\/em> (November 1996)<\/p>\n 1995<\/strong> \u201cPolitiques et arts graphiques. L\u2019Avant garde belge,\u201d in Jean-Jacques Heirwegh, ed., Maximilien Luce 1858-194, peintre anarchiste<\/em>. Brussels: Editions de l\u2019Institut de Sociologie de l\u2019Universit\u00e9 libre de Bruxelles<\/p>\n 1993<\/strong> \u201cPolitics and the Graphic Arts of the Belgian Avant-Garde,\u201d and catalogue entries on Frantz Charlet, Georges Lemmen, Fran\u00e7ois Mar\u00e9chal, Gustave Marissiaux, Constantin Meunier, Armand Rassenfosse, F\u00e9licien Rops, Paul Signac, Jules van Biesbroeck, and Alfred van Neste, in Stephen H. Goddard, ed., Les XX and the Belgian Avant-Garde. Prints, Drawings and Books, ca. 1890<\/em> . Lawrence, KS: The Spencer Museum of Art<\/p>\n 1992<\/strong> \u201cPolitiek en de prentkunst van de Belgische avant-garde,\u201d and catalogue entries on Charlet, Lemmen, Mar\u00e9chal, Marissiaux, Meunier, Rassenfosse, Rops, Signac, van Biesbroeck, and van Nest, in Robert Hoozee, ed., Les Vingt en de avant-garde in Belgi\u00eb. Prenten, tekeningen en boeken<\/em>, Ghent: Museum voon Schone Kunsten (Antwerp: Pandora Petraco). Adapted translation<\/p>\n 1990<\/strong> \u201cFelix Nussbaum,\u201d in Susan Taylor and Richard Born, ed., The David and Alfred Smart Museum of Art. The University of Chicago. A Guide to the Collection<\/em>. New York: Hudson Hills<\/p>\n 1989<\/strong> With Andrew C. Parker. Review of Michael Shapiro, The Politics of Representation: Writing Practices in Biography, Photography, and Policy Analysis<\/em>, in Political Theory 17\/4<\/em> (November 1989)<\/p>\n 1989<\/strong> \u201cPrint Culture in the Age of the French Revolution,\u201d and catalogue entries, in Sura Levine and Joan Landes, Representing Revolution: French and British Prints, 1789-1804<\/em>. Amherst, MA: Mead Art Museum<\/p>\n 1989<\/strong> Review of Jean Delhaye, Victor Horta, L\u2019H\u00f4tel Tassel and C\u00e9cile Duli\u00e8re, ed., Victor Horta M\u00e9moires, in Journal of the Society of Architectural Historians XLVIII\/3<\/em> (September 1989)<\/p>\n 1987<\/strong> \u201cArt Nouveau Sculpture in Belgium,\u201d in Chantal Kosyreff, ed., Les Feux de l\u2019art nouveau<\/em>, Tokyo: Shinbum<\/p>\n 1987<\/strong> Catalogue entries on Eug\u00e8ne Verboeckhoven and Georges Rochegrosse, in Holliday T. Day and Hollister Sturges, eds., The Joslyn Art Museum, Paintings and Sculpture from the European and American Collections<\/em>. Omaha: The Joslyn Art Museum<\/p>\n 1981<\/strong> Catalogue entries on Romaine Brooks, Privat Livemont, Richard Roland Holst, in Reinhold Heller, ed., The Earthly Chimera and the Femme Fatale. The Fear of Woman in Nineteenth-Century Art<\/em>. Chicago: The David and Alfred Smart Museum of Art<\/p>\n","protected":false},"excerpt":{"rendered":" Catalogues: 1998 Hommage \u00e0 Constantin Meunier. Brussels: Galerie Maurice Tzwern, January 17-May 31,\u00a01998 Antwerp: Pandora Petraco 2008 With Francisca Vandepitte, et. al., Constantin Meunier \u00e0 S\u00e9ville: L\u2019Ouverture Andalouse. Brussels: Mus\u00e9es Royaux des Beaux-Arts de Belgique Book in Progress: Unlike Any Other Night: The Attack of the 20th Convoy. The Resistance and Heroism in Belgium During […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":15,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":109,"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/pages\/2\/revisions\/109"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/slevine\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Book in Progress:<\/h2>\n
Articles and Reviews:<\/h2>\n