Bibliography
Applin, Jo. “Bric-a-Brac, the Everyday Work of Tom Friedman,” Art Journal 67, No. 1 (2008): 68-81.
Benjamin, Walter. “The Work of Art in the Age of Its Technological Reproducibility.” In The Work of Art in the Age of its Technological Teproducibility, and Other Writings on Media, edited by Walter Benjamin, Michael William Jennings, Brigid Doherty, Thomas Y. Levin, and E. F. N. Jephcott, 19-55. Cambridge, Mass: Belknap Press of Harvard University Press, 2008.
Borchardt-Hume, Achim. “The Nature of the Beast,” Art Journal 69 (2010): 63-73.
Buuck, David. “Enrique Chagoya: Boderlandia Berkeley Art Museum February 13 – May 18, 2008,” Artweek (2008).
Butler, Christopher. Postmodernism: A Very Short Introduction. New York: Oxford University Press, 2002.
“Camping Words.” Cliff Evans. Accessed June 27, 2016. http://www.cliffevans.net/camping-words.
Canemaker, John. Felix: the Twisted Tale of the World’s Most Famous Cat. New York: Pantheon, 1991.
Egan, Shannon. “Kara Walker, Harper’s Pictoral History of the Civil War, (Annotated),” Shmucker Art Catalogs, Gettysburg College, 2 (2013).
Fairbrother, Trevor. “The sensualist,” Southwest Art 30, no. 7 (2000): 86.
Hensbergen, Gijs van. Guernica: The Biography of a Twentieth-Century Icon New York: Bloomsbury, 2004.
Krauss, Rosalind. “The Originality of the Avant-Garde: A Postmodernist Repetition.” In Art after Modernism: Rethinking Representation, edited by Brian Wallis, 13-29. Boston: New Museum of Contemporary Art, 1984.
Friedman, Tom. Interview with Artist Tom Friedman. By Vanja Malloy, Mead Art Museum, https://www.amherst.edu/system/files/media/Interview%2520with%2520Artist%2520Tom%2520Friedman
Naumann, Francis M. and Marcel Duchamp. Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. Ghent; New York: Ludion Press, 1999.
Nguyen, Phu. “Internet as Medium: Art, Law, and the Digital Environment.” In Understanding the Arts and Creative Sector in the United States, edited by Cherbo Joni Maya, Stewart Ruth Ann, and Wyszomirski Margaret Jane, 155-170. New Brunswick: Rutgers University Press, 2008.
Sidlauskas, Susan. “Painting Skin: John Singer Sargent’s ‘Madame X’” American Art 15, no. 3 (2001): 8-33.
Somaini, Antonio. “Walter Benjamin’s Media Theory: The Medium and the Apparat” Grey Room no.62 (2016): 6-41.
Vergne, Philippe “ The Black Saint is the Sinner Lady”, in My Compliment, my Enemy, my Oppressor, my Love. Edited by Kara Walker, 11-19. New York: Whitney Museum, 2007.
Mohamed, Yumna. “Kara Walker’s Works from Harper’s Pictorial History of the Civil War,” Harpers.org, July 6 2012, http://harpers.org/blog/2012/07/kara-walkers-works-from-harpers-pictorial-history-of-the-civil-war
Rosenthal, Mark. “Consuming Images: Photography, Appropriation, Abstraction, and Seriality” in Regarding Warhol: Sixty Artists, Fifty Years Edited by Elisa Urbanelli. New Haven, Yale University, 2012.
Images Sources
Images from the Five College Collection
http://museums.fivecolleges.edu/info.php?t=objects&type=pgroup&s=cHPNtbZ1
Images from outside the Five College Collection
http://www.katemacgarry.com/artists/goshka-macuga/
http://www.oxfordartonline.com.proxy2.hampshire.edu/subscriber/article/img/grove/art/F017395
http://www.kleinsungallery.com/exhibitions/shen-shaomin-handle-with-care