{"id":59,"date":"2013-01-15T18:36:02","date_gmt":"2013-01-15T18:36:02","guid":{"rendered":"http:\/\/sites.hampshire.edu\/jwallen\/?page_id=59"},"modified":"2025-10-29T11:58:14","modified_gmt":"2025-10-29T11:58:14","slug":"research","status":"publish","type":"page","link":"https:\/\/sites.hampshire.edu\/jwallen\/research\/","title":{"rendered":"Research"},"content":{"rendered":"

PUBLICATIONS:<\/b>\"Closed<\/a><\/p>\n

Books:<\/b>\u00a0 Closed En<\/i>counters: Literary Politics and Public Culture<\/i>, Minneapolis: University of Minnesota Press, 1998<\/p>\n

Articles:<\/b><\/p>\n

“Learning from Handkerchiefs,” co-authored with Aubrey Pomerance, M\u00e9moires en Jeu<\/em> 22 (2025): 101-111<\/p>\n

“The Lure of the Archive: The Atlas Project of Walid Raad,\u201d in Productive Archiving: Artistic <\/em>Strategies, Future Memories, and Fluid Identities<\/em>, ed. Ernest van Alphen, Amsterdam: Valiz, 2023, 48-57<\/p>\n

“Au Seuil, entre la vie et la morte,” in Traces de vie \u00e0 Auschwitz: Un Manuscript clandestin<\/em>, ed. Philippe Mesnard, Paris: Bord de l\u2019eau, 2022, 71-82<\/p>\n

“Facing the Sonderkommando<\/em>: Son of Saul<\/em> and the Dynamics of Witnessing,” Holocaust <\/em>Studies: A Journal of Culture and History<\/em>, https:\/\/www.tandfonline.com\/eprint\/MJJEN42IVGN27MV2ZEQ3\/full?target=10.1080\/17504902.2019.1637502<\/p>\n

“Circuitous Journeys: The Migration of Objects and the Trusteeship of Memory,” co-authored with Aubrey Pomerance, in Objects of War: The Material Culture of Conflict and <\/em>Displacement<\/em>, eds. Leora Auslander and Tara Zahra, Cornell: Cornell UP, 2018, 248-276<\/p>\n

“The Witness Against the Archive: Towards a Microhistory of Christianstadt,” in Microhistory of the Holocaust<\/em>, eds. Tal Bruttmann and Claire Zalc, Oxford: Berghahn, 2017, 300-314<\/p>\n

“Beckett in Times of Crisis,” A review of Lance Duerfahrd, The Work of Poverty: Samuel Beckett’s Vagabonds and the Theater of Crisis<\/em>, in Postmodern Culture <\/em>24:2 (2014):\u00a0\u00a0 https:\/\/muse.jhu.edu\/journals\/postmodern_culture\/v024\/24.2.wallen.html<\/a><\/p>\n

“Testimony and Taboo: The Perverse Writings of Ka-Tzetnik 135633,” Dapim: Studies on the Holocaust<\/i>, 28.1 (2014): 1-16
\nhttp:\/\/www.tandfonline.com\/eprint\/D9GpW8giMRwraDTI3asZ\/full<\/a><\/p>\n

“The Lure of the Archive: The Atlas Projects of Walid Raad,” Comparative Critical Studies<\/i>, 8.2-3 (2011): 277-93 Lure of the Archive<\/a><\/p>\n

“Twemlow’s Abyss,” Partial Answers<\/i> 9.2 (2011): 391-403<\/p>\n

“Migrant Visions: The Scheunenviertel and Boyle Heights, Los Angeles,” in Transit und Transformation<\/i>, ed. Verena Dohrn, G\u00f6ttingen, Germany: Wallstein Verlag, 2010, 320-35 Migrant Visions<\/a><\/p>\n

“Falling Under an Evil Influence,” in Promoting and Producing Evil<\/i>, ed. Nancy Billas, New York: Rodopi, 2010, 67-93<\/p>\n

“Narrative Tensions: The Eyewitness and the Archive,” Partial Answers<\/i> 7.2 (2009): 261-278 Download (pdf) <\/a><\/p>\n

“The Death and Discontents of Theory,” in Framing Theory’s Empire<\/i>, ed. John Holbo, West Lafayette, IN: Parlor Press, 2007, 133-136<\/p>\n

“Sociable Robots <\/i>und das Posthumane,” in Geschlechter-Revisionen: zur Zukunft von Feminismus und Gender Studies in den Kultur- und Literaturwissenschaften<\/i>, eds. Sabine Lucia M\u00fcller and Sabine Sch\u00fclting, K\u00f6nigstein, Germany: Ulrike Helmer Verlag, 2006, 165-189 Download<\/a><\/p>\n

“From the Archives,” co-written with Arnold Dreyblatt, in Sign Here!: Handwriting in the Age of New Media, <\/i>ed. Sonja Neef, Amsterdam: Amsterdam University Press, 2006, 134-149 Download (pdf)<\/a><\/p>\n

“Criticism as Displacement,” in Theory’s Others: An Anthology of Dissent, <\/i>eds. Daphne Patai and Will Corral, New York: Columbia Univ. Press, 2005, 476-490<\/p>\n

“Arnold Dreyblatt’s T Projekte,” in Inschriften: Arnold Dreyblatt<\/i>, Frankfurt: Museum Judengasse, 2005, 17-22<\/p>\n

“We Really Do Not Know How to Disagree with Each Other,” part of “Symposium: Teaching the Conflicts at 20 Years,” Pedagogy<\/i> 3.2 (2003): 253-56<\/p>\n

“Reste und erhaltene Spuren,” in Arnold Dreyblatt: Aus den Archiven<\/i>, Heidelberg: Kehrer Verlag, 2003: 98-100.<\/p>\n

“Physiology, Mesmerism, and Walter Pater’s ‘susceptibilities to influence,” in Walter Pater: Transparencies of Desire,<\/i> eds. Laurel Brake, Leslie Higgins, and Carolyn Williams, Greensboro, NC: ELT Press, 2002, 73-93<\/p>\n

“Professional Discord,” College English<\/i> 64.3 (2002): 84-95<\/p>\n

“Alive in the Grave: Walter Pater’s Renaissance,” ELH<\/i> 66 (1999): 1033-1051<\/p>\n

“Knowing Better: Cultural Criticism, and the Pedagogical Imperative in the 1990s,” co-authored with Richard Burt, Diacritics <\/i>29.1 (1999): 72-91<\/p>\n

“Memory Arena,” http:\/\/www.dreyblatt.de, 1998<\/p>\n

“The Poverty of Conversation,” The Yale Journal of Criticism<\/i> 9 (1996): 405-19<\/p>\n

“Teachers, Not Advocates: Towards an Open Classroom,” in Advocacy in the Classroom: Propaganda versus Enlightenment<\/i>, edited by Patricia Meyer Spacks and Phyllis Franklin, New York: St. Martin’s Press, 1996, 224-31<\/p>\n

“Nachwort” in Who’s Who in Central and Eastern Europe 1933<\/i>, by Arnold Dreyblatt, Berlin: Janus Press, 1995, 228-230<\/p>\n

“Between Text and Image: The Literary Portrait,” a\/b: Auto\/biography Studies<\/i> 10 (1995): 50-65<\/p>\n

“Political Correctness: The Revenge of the Liberals” in The Administration\u00a0 of the Aesthetic: Censorship, Political Criticism, and the Public Sphere<\/i>, ed. Richard Burt, Minneapolis: University of Minnesota Press, 1994, 340-369<\/p>\n

Illustrating Salome<\/i>: Perverting the Text?” Word & Image<\/i> 8 (1992): 124-32<\/p>\n

“Reflection and Self\u2011Reflection:\u00a0Narcissistic or Aesthetic Criticism?” Texas Studies in Language and Literature<\/i> 34 (1992): 300-22<\/p>\n

“The End of Illusion in L’Eve future<\/i>,” in Modernity and Revolution in Late Nineteenth-Century France<\/i>, eds. Barbara T. Cooper, Newark, Del.: University of Delaware Press, 1992, 34-40<\/p>\n

“Salammb\u00f4<\/i> and the Resistance of the Aesthetic,” Romance Notes<\/i> 30 (1990):\u00a0237\u201145<\/p>\n

“On Pater’s Use and Abuse of Quotation,” The Arnoldian<\/i> 14 (1987): 1\u201120<\/p>\n

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PUBLICATIONS: Books:\u00a0 Closed Encounters: Literary Politics and Public Culture, Minneapolis: University of Minnesota Press, 1998 Articles: “Learning from Handkerchiefs,” co-authored with Aubrey Pomerance, M\u00e9moires en Jeu 22 (2025): 101-111 “The Lure of the Archive: The Atlas Project of Walid Raad,\u201d in Productive Archiving: Artistic Strategies, Future Memories, and Fluid Identities, ed. Ernest van Alphen, Amsterdam: […]<\/p>\n","protected":false},"author":125,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/59"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":43,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":297,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/59\/revisions\/297"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}