{"id":37,"date":"2012-12-11T18:45:05","date_gmt":"2012-12-11T18:45:05","guid":{"rendered":"http:\/\/sites.hampshire.edu\/jwallen\/?page_id=37"},"modified":"2025-10-29T12:07:43","modified_gmt":"2025-10-29T12:07:43","slug":"teaching-2","status":"publish","type":"page","link":"https:\/\/sites.hampshire.edu\/jwallen\/teaching-2\/","title":{"rendered":"Teaching"},"content":{"rendered":"<p><strong>Upcoming courses: <\/strong><\/p>\n<p>The Task of the Translator: Translation Workshop<\/p>\n<p><strong>Courses taught recently:<\/strong><\/p>\n<p>20th-C. European Jewish Literature<\/p>\n<p>Life Writing: Forms of Autobiography and Memoir<\/p>\n<p>Responses to the Holocaust: Literature, Film, Art, Testimony<\/p>\n<p>Extremes of Modernism: Proust, Woolf, Kafka, and Joyce<\/p>\n<p>Crowds and Power: Literature, Film, Psychology, Society<\/p>\n<p>The Task of the Translator: Translation Workshop<\/p>\n<p>Museums and Archives, co-taught with Karen Koehler<\/p>\n<p>Berlin Seminar: German Arts, History, and Culture<\/p>\n<p>Stuff, Materiality, Things<\/p>\n<p>Experiments in Modern Short Fiction<\/p>\n<p>The Question of Evil in Literature and Philosophy<\/p>\n<p>Responses to the Holocaust<\/p>\n<p>Literature of Crime and Detection (tutorial)<\/p>\n<p>The Power of the Novel<\/p>\n<p>Berlin Seminar&#8211;Berlin Study Abroad Program<\/p>\n<p>Life Writing: Forms of Autobiography and Memoir<\/p>\n<p>HACU Research Seminar: The Archive<\/p>\n<p>Detection and the City, co-taught with Polina Barskova<\/p>\n<p>Berlin and Los Angeles<\/p>\n<p>Living On: Responses to the Holocaust<\/p>\n<p>Brecht and Beckett (and Benjamin and Adorno)<\/p>\n<p>Literature of Crime and Detection<\/p>\n<p>Reading Literary Theory and Criticism<\/p>\n<p><i>Middlemarch<\/i> and Victorian Culture, co-taught with Lise Sanders<\/p>\n<p>Making It New: The Literature of Modern Life<\/p>\n<p>The Posthuman Condition, co-taught with Christoph Cox<\/p>\n<p>Under the Influence: Influence: Invisible Powers of Art, Education, and Authority in Nineteenth-Century Literature<\/p>\n<p>The Power of the Novel: Evil, Speculation, and Adultery in Nineteenth-Century Fiction<\/p>\n<p>Radical Beginnings: Wonderful Disturbing Works in 18th- and Early 19th-C. Literature<\/p>\n<p>The Artist and the Vampire<\/p>\n<p>The Philosophy of Evil<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Upcoming courses: The Task of the Translator: Translation Workshop Courses taught recently: 20th-C. European Jewish Literature Life Writing: Forms of Autobiography and Memoir Responses to the Holocaust: Literature, Film, Art, Testimony Extremes of Modernism: Proust, Woolf, Kafka, and Joyce Crowds and Power: Literature, Film, Psychology, Society The Task of the Translator: Translation Workshop Museums and [&hellip;]<\/p>\n","protected":false},"author":125,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/37"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":22,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":299,"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/pages\/37\/revisions\/299"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/jwallen\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}