{"id":12,"date":"2014-06-16T17:05:09","date_gmt":"2014-06-16T17:05:09","guid":{"rendered":"http:\/\/sites.hampshire.edu\/dbranner\/?page_id=12"},"modified":"2020-07-22T13:33:55","modified_gmt":"2020-07-22T13:33:55","slug":"critical-resources","status":"publish","type":"page","link":"https:\/\/sites.hampshire.edu\/dbranner\/critical-resources\/","title":{"rendered":"Critical Resources"},"content":{"rendered":"

Some of the most insightful academic discussions about my process and performances are contained within the publications below.
\n\u2013 Djola Branner<\/strong><\/p>\n

\"Blacktino<\/a>Blacktino Queer Performance
\n<\/strong><\/span>E. Patrick Johnson & Ram\u00f3n H. Rivera-Servera<\/em>
\nDuke University Press, 2016<\/p>\n

Theatrical Jazz: Performance , \u00c1se & the Power
\n<\/strong><\/span>of the Present Moment
\n<\/strong>Omi Osun Joni L. Jones
\n<\/span>Ohio Stage University Press, 2015<\/span><\/p>\n

The Color of Theater: Race, Culture
\nand Contemporary Performance<\/em><\/strong>
\nedited by Roberta Uno & Lucy Mae San Pablo Burns
\nContinuum Studies in Drama, 2005<\/p>\n

A History of African American Theater
\n<\/em><\/strong>by Errol G. Hill & James V. Hatch
\n<\/span>Cambridge University Press, 2003<\/span><\/p>\n

African American Performance and Theater History: A Critical Reader\"\"<\/a><\/em><\/strong>
\nedited by Harry J. Elam & David Krasner
\nOxford University Press, 2001<\/p>\n

The Performer’s Guide to the Collaborative Process<\/em><\/strong>
\nby Sheila Kerrigan Heinemann, 2001<\/p>\n

Recognizing Ourselves: Ceremonies of Lesbian and Gay Commitment<\/em><\/strong>
\nby Ellen Lewin
\nColumbia University Press, 1998<\/p>\n

Acts of Intervention: Performance, Gay Culture and AIDS<\/em><\/strong>
\nby David Rom\u00e1n
\nIndiana University Press, 1998<\/p>\n

Laughing in the Dark: A Decade of Subversive Comedy
\n<\/em><\/strong>by Laurie Stone
\nEcco Press, 1997\"\"<\/a><\/p>\n

Critical Essays: Gay and Lesbian Writers of Color<\/em><\/strong>
\nedited by Emmanuel Sampath Nelson
\nHarrington Park Press, 1994<\/p>\n","protected":false},"excerpt":{"rendered":"

Some of the most insightful academic discussions about my process and performances are contained within the publications below. \u2013 Djola Branner Blacktino Queer Performance E. Patrick Johnson & Ram\u00f3n H. Rivera-Servera Duke University Press, 2016 Theatrical Jazz: Performance , \u00c1se & the Power of the Present Moment Omi Osun Joni L. Jones Ohio Stage University […]<\/p>\n","protected":false},"author":26,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/12"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":33,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":497,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/12\/revisions\/497"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}