{"id":119,"date":"2014-08-05T12:58:44","date_gmt":"2014-08-05T12:58:44","guid":{"rendered":"http:\/\/sites.hampshire.edu\/dbranner\/?page_id=119"},"modified":"2016-08-29T20:47:42","modified_gmt":"2016-08-29T20:47:42","slug":"sash-trim","status":"publish","type":"page","link":"https:\/\/sites.hampshire.edu\/dbranner\/works-in-print\/sash-trim\/","title":{"rendered":"sash &amp; trim"},"content":{"rendered":"<p style=\"text-align: left\"><em><strong><a href=\"http:\/\/sites.hampshire.edu\/dbranner\/files\/2014\/08\/sashandtrim-e1472462696635.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-120\" src=\"http:\/\/sites.hampshire.edu\/dbranner\/files\/2014\/08\/sashandtrim-e1472462696635.jpg\" alt=\"sash and trim\" width=\"182\" height=\"285\" \/><\/a>sash &amp; trim and other plays<\/strong><\/em> by Djola Branner.<br \/>\nWashington, DC\u00a0 RedBone Press, 2013.<\/p>\n<p style=\"text-align: left\">&#8220;Branner\u2019s first collection of dramatic work<em>\u00a0<\/em> takes the reader on a journey through blackness and queerness in ways that stretch the imagination and chronicle the history of black peoples in the diaspora&#8230; [It] expands the boundaries of \u2018black\u2019 art by experimenting with form, and bringing to the fore questions of gender and sexuality.\u201d<\/p>\n<p style=\"text-align: right\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 E. Patrick Johnson<\/p>\n<p style=\"text-align: right\"><strong><em>sash &amp; trim and other plays<\/em><\/strong> was a finalist for the Lambda Literary Award (2014).\u00a0 <span style=\"color: #993300\"><strong>redbonepress.com<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>sash &amp; trim and other plays by Djola Branner. Washington, DC\u00a0 RedBone Press, 2013. &#8220;Branner\u2019s first collection of dramatic work\u00a0 takes the reader on a journey through blackness and queerness in ways that stretch the imagination and chronicle the history of black peoples in the diaspora&#8230; [It] expands the boundaries of \u2018black\u2019 art by experimenting [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"parent":41,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-119","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/119"}],"collection":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":13,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/119\/revisions"}],"predecessor-version":[{"id":272,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/119\/revisions\/272"}],"up":[{"embeddable":true,"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/pages\/41"}],"wp:attachment":[{"href":"https:\/\/sites.hampshire.edu\/dbranner\/wp-json\/wp\/v2\/media?parent=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}